A Quick Peek, As of November 2011

As some of you might remember, I posted a blog a while ago (partially) revealing how my list of Designs that Need Doing was looking as of that time. Currently, it is looking something like this;

Designs that Need Doing:

* I saw a gun in her hand (LIGHTS)

* Food pyramid

* Devil dog beta type

* Next needs up (demon)

* Any backstabber

* Any blood burst

* (something with spiders!)

* A spider ate my homework!

* "SPIDER BOSS"

* 4 Horse Men

* Davilaisms

* *BIGGEST* FAN!

* REFRESH!

* Cupid Kills (Male/Female)

* [omitted] Ninja (!!)

* "The Creation of Next"

* "I'm [omitted]"

* [omitted] can be deceiving

* NEXT's face

* Next Needs Up spider's face

* Girl with headphones, and [omitted]

* NEXT NEEDS UP tribal

* "SPIDER"

* You can't [omitted]

...yeah. I know.

These are all either very general, or censored to the point of illegibility, but it's for a reason. As I mentioned in the previous "quick peek" post, I'm kind of protective of my ideas, and more so if I feel like they're pretty original, so that is what's behind the omissions. Sure, some are spelled out pretty clearly, but for those I believe that either no one would be able to figure out what I mean by that, or that no one would visualize it in the same manner, thus making them irrelevant to protect.

Something I feel I should note, is that I've created designs since that were never on this list. They were designs which I felt inspired to create right there and then, and literally did, so I had no reason to scribble them down on the list. Others, which are text based, I've already begun working on, and left saved for later. Their nature of starting out as lines of text made it so that I simply opened a new Illustrator file, pasted or wrote in the text, saved them, and closed them out for later.

I can't tell exactly what design my next blog will be going over, since....well, I'll have to look at the design creation chronology to figure out which is next in line, but I can say a little about the design I will be working on next, and the image to the right, used only for research (and not referencing) purposes, is one of the obscure hints that I am willing to give at this time. It's going to be a pain in the ass, and I don't know exactly when I will be done.

The reason being that I will be trying to make a very modular, almost global design. It's very obsessive, this idea, but I don't feel right making it otherwise. So, as you might know, the thing with modularity is that many parts have to be made in preparation, and just the thought of that is what I'm hung up on at the moment. I'll probably get over it once I actually start to crank it out. Currently, I'm still stuck in the drafting stage, concepting, brainstorming, researching, consulting with artist friends,and deciding what the best route forward will be.

(I write a lot, don't I?)

Anywho, that's about as much obscure nonsense as I feel like writing for today. Stay tuned. Things should get interesting! Carry on for now.

J, out...

RELOAD! Reactions

(Reactions besides immediately reloading...)

Click image for larger version

This is a family of designs that I feel gets...less reactions than I would like. As much as I might tout my obsession with my arachnophobia, RELOAD! is kind of my flagship design. And even when they do get reactions, I always get a sense that the people reacting to it are not fully aware of what it is that my designs are depicting. As some of you may know, the whole premise behind my RELOAD! designs—which up to this point include the GI1911 2.0, GI1911 1.0 (pictured here), and another which I've yet to present in a blog—feature semi automatic pistols with their slides locked open, signaling that they've run out of ammo. It's that little detail which I feel people don't quite understand, which is fine, but still an unfortunate wasted of human visual recognition capabilities. I think people would enjoy or appreciate it a little more if they were able to connect the text with the imagery.

I suppose that Hollywood is partly to thank for its continual depiction of pistols who only indicate that they are empty when the trigger is pulled and they go click. But mostly, it is the reality that most people don't have any real understanding of how firearms function. I mean, Hell, even during my time in service, a majority of us were taught only as much as we needed to know about the firearms that we handled on a daily basis. Even the manuals I read incorrectly stated that Condition Two "does not apply to the M9 Service Pistol". What?!


But, it's Ok. I understand that most people might never need, or care, to know all of these things. Like the cycles of operation (firing, unlocking, extracting, ejecting, cocking, feeding, chambering, locking), or the differences in between a recoil operated gun and a blowback operated gun, as examples. I get that not everyone's brains are sponges for information. But with that rant (and my revelation that I've got a bit of a hard-on for the guts and inner workings of firearms) out of the way, I think you might have a better understanding of some of the...validation that I felt when the following happened. These are the exact words that I posted as a status on Facebook on the 12th of this month, minutes after it happened:

"So, I'm walking to get my mail, and I notice two Sheriff's patrol cars parked up ahead. I notice that one of the deputies has his passenger side's door open, and he's pouring some kind of solution onto his hands and scrubbing away. (Probably just got done busting someone's head open or something.) Anyhow, as I get closer, he faces in my direction, and then keeps starring at me. I can see he's squinting his eyes even. So I'm thinking 'Grrrreat! What now?...', and right when I'm about 10 feet away he says 'Nice shirt!' So I respond 'Thanks!' while thinking 'Whew.' Figures though, that it would take someone who carries a pistol around all day to appreciate my 'RELOAD!' design..."

Hahaha. I'm such a little kid, huh? The specific design I had on was the one pictured above, in all white and on a black t-shirt, so it's what I'd call high visibility. Speaking of, I've actually been thinking of updating the 1.0 design, since it was one of the very first for Flex printing vector designs that I've made. I've gotten working within the restrictions down to more of  a science now, so feel like I could do a better job. I'll probably leave it alone until I've cranked out several more of the designs on my list though. I've got enough on my plate just with those as it stand. Well, that's about all I have or this update. Be sure to swing by the shop if you want any of these designs for yourself, and to see what's new. (I'll probably get around to updating the look in that place soon here as well.) So, until the next time, y'all get out here!

J, out...

Once a Backstabber, Always a Backstabber; The Tanto

(you can count on that)

Upon sitting down to start preparations for my next "deviation" blog, I realized that I hadn't actually gone over one of the designs that I would be featuring a deviation for. Obviously, that's no good, so here I am!

For this post, I will be (briefly, I predict) going over a "Backstabber" variant, this time (if you had't surmised as much from the title) featuring a Tanto. As mentioned in this follow up Backstabber post I plan on making several other Backstabber variant designs, featuring all sort of pointy objects. With as many ideas as I have coming into my head, it's difficult to actually execute on very many of these (and yes, I have a long list of Backstabber variants already). I won't even mention my time constraints (but I did)!

So, the same as with the KA-BAR, I created a Tanto "icon". The process was pretty much the same. The reference image used was this one. I like it. It's plain, clean, sharp, and gets the message across (that being "Hey, look! I'm a tanto!!"). Next I opened up my Backstabber "work" file (I save the "work" and "finalized" versions of every design separately. Makes it 79% easier to go back and make any fixes or revisions), removed the KA-BAR, and readjusted the blood a bit. Once the Tanto design had been completed (you can't really tell, but I'm pretty anal about these designs, and the final appearance betrays the attention to detail that goes into it), the rest was pretty much just about orientation and what-not.

Anywho, here's what the "Tanto Backstabber" looks like. I'm considering (meaning, I will...just not yet) creating some "Backstabber" text of my own (meaning not from one of the template Illustrator fonts), so I haven't actually gotten a t-shirt of my own with this design on it yet. With as many Anime/Japan geeks as there are in my school though, I'm sure several would stop and ask me about it if I wore it (sure, the KA-BAR Backstabber that I wear every now and then gets reactions, just...y'know).

In other news, a recent gaffe involving a digital direct print has halted some of my Spreadshirt shopping progress. Basically, I want to wear this damn design (done right!), so I'm waiting until the return gets back to them and they credit it to me before trying again. Until then I'm gonna sit here (not the whole time, mind you) and wait for the email with the digital coupon code. I understand that they'd recently become very backed up (some partner's shop was getting a massive amount of orders for digital direct printed designs), and they had to up production by adding more personnel and working throughout the week, so I'm attributing it to that (especially since the t-shirt that I ordered with my "GI1911 RELOAD! 2.0" printed on it over half a year ago looked awesome, and still does after many washes!).

Well, I'll stop boring you with my personal problems now. I'm gonna try a little harder to at least do one of these a week, so that I can finally get caught up. The designs featured in my shop with a blog post of their own are currently outnumbered by the ones without, and I'm not exactly happy about that. It sort of dissuades me from getting to cranking out some of my other ideas, because that will just back me up more on this end, and that's not good if getting more designs into my shop is my goal. That's enough for now. Until next time, carry on!


J, out...

*Biggest* Fan Reactions

(Post last updated 10/30/2010)

Hey there. I just felt in the mood to post something, but not enough to get to my next "deviation" post, so I thought I'd go with something that I can wrap up quicker.

It's been about 2 months or so since I ordered a "*Biggest* Fan" tee of my own to wear, so I thought I'd share, briefly, on its reception by the "audience" that's been exposed to it.

Honestly, I had a doubt or two about this. But after seeing that 4 sold soon after I had made it available on Spreadshirt, as mentioned in the design's introductory blog, the doubt began fading a bit. So, I ordered my own and patiently waited until it came in the mail.

The reactions to it have been varied, but positive overall. One instance that sticks out in my mind was that of an acquaintance from school. When she initially saw it, her first reaction was to roll her eyes and say "Oh my god..." but it was followed by laughter, so I thought "Alright, that's not ALL bad, I guess." Later though, I ran into her again as she was talking to a group of her friends and she went, "Oh my god, y'all have to look at his shirt, it's *epic*."

..."Epic?", I thought, "Didn't she roll her eyes?"


I figured I'd just go with it though. I mean, it is pretty silly, so I suppose a roll of the eyes to the self-assuredness of a claim such as being the *biggest* fan is the appropriate response to expect (can you tell that I didn't ponder what the response to this would be as much as I did with my "Backstabber" tee?).

[1st Update, 10/30/2010]


Just a few days ago, I had a few more reactions to my *Biggest* Fan t-shirt that I thought I'd report, one being a reaction of my own. This first reaction might also be a "note to self", as this could be avoided in the near future (but would I want to?). So, I had some stuff to take care of at my apartments' leasing office, but as I began to state what my business there was, the lady just busts out laughing! So I'm standing there, giving her a bit of a confused look she goes "You are always wearing the funniest t-shirts!", at which point I look down and go "Oh...right. So, anyhow, as I was sayi-", but again, I was interrupted by more laughter. It took a few more moments of this, and of her asking which one I was wearing the last time (it was the "Meat Pyramid" one, by the way) before we could get to talking business. Honestly, if it wasn't for the fact that I had a sense of urgency about things, I would have found it very amusing. I guess next time I wear this thing out, I'll try to keep the fact that I'm wearing it in mind, so there aren't too many surprises, which directly relates to this next "reaction".

The next reaction, which was more of a thought, came from myself. As the day went on, and I returned to my normal level of self awareness (contrast from self-conscious), again I found it curious that more people than normal (thus making me consciously aware of it) were staring at me with odd looks on their faces. I was having dinner with a friend that night, and after returning from a trip to the little boys' room I sat and told her "Y'know...I should probably try to remain more conscious of what I am wearing when I'm out and about with these on. I keep getting these funny looks and forgetting why..." She agreed.

[end 1st Update]

Most times the response is a smile with a shake of the head, but I haven't actually worn it very much, so I guess I'll wait and see some more. I think that's about all I have for that one. My next post should be on the next "deviation", and for those of you that keep up with what's currently up in my designer shop, the next design should actually be a digital direct design that'll be sure to flare up my phobia. So, until the next time, don't eat that, and carry on!

J, out...

1st Departure: Are Two Girls Better Than One?

(...many seem to think so)

But I'm not here to make a statement or to educate anyone on latent (??) sexual preferences (heh). This is about a deviation (sounds more fun than calling them "variations") born from another design, and the first of its kind.

This first one was born from a part of the Danger & Beauty design. One third of the design, to be exact. The following four deviations came from the "Beauty" design. Both the original one, and the negative space bikini one were used. They're no surprise, so I'll go ahead and show all four of these puppies, and then expound on how they came to be. I believe it will be easier that way...

(Click images for larger versions)

Unless you're half blind (or spatially challenged...), then you've probably noticed that the girl on the right of each of these pairs is simply a mirrored image of the one on the left. No voodoo magicks there...

The way that first pair (without the "Twins!" font) came about was from my messing around with combining designs to display as examples of what anyone browsing through my shop could arrange themselves, to put up in the shops "product examples" section. As I might have mentioned before, each part of my Danger & Beauty design is available to buy/use individually.

So what I did was take two and stick 'em on a shirt, then I horizontally flipped the one on the right and voilà! There it was! But...I noticed that the price on the product with two designs on it was too high for my linking, so in the spirit of keeping the cost down as much as possible for any possible customers who might like that arrangement, I went back into Illustrator, replicated what I had done in Spreadshirt with both the bikini and bikini-less designs, and uploaded each back into Spreadshirt as two color, single designs!

Next, during another session of messing around with the Spreadshirt product designer, I added "Twins!" underneath  the girls and placed it on a t-shirt to display on the product example window. As any of you who've gone and at least messed around on Spreadshirt know, adding font adds to the cost. Things remained that way for a while after...

Fast forward to this post, and while simultaneously messing around with my designer shop and writing the blog, finding the whole "Twins!" thing funny enough to keep around, it came to me that I should probably unify the two girl design with the text myself, and upload it all as a three color design (meaning anyone can change the color on either of the girls and the text independent to any of the other elements), thus what you see just above. Hm...

(stepped away and wrote down a bunch of new ideas)

Anywho, that's about it for how those designs came to be. There is no philosophy that fueled these designs, or any crazy revelations received while hanging out in a cave, simply opportunity, and my aim to keep my designs affordable. You can find these designs under "Twins!" and "Beauties", "Alpha" for the the ones with bikinis and "Beta" for the bikini-less. I'll have posts on other deviations coming soon. Stand by.

J, out...

Never Take Your Eyes Off the Goal

(And whatever you do, don't look down!)

It's been a while. Actually, I'm pretty sure this has been the longest lapse of time in between posts yet. I'd apologize, but I've never promised frequency or volume. Plus, it isn't like I've been lounging around this whole time, either...well, not all of it.

I've probably said it before, but my social life and school work take precedence, and the latter kept me very busy during the final weeks of this past quarter. Enough, in fact, to make me want to take a real break from anything art or design related for that whole week that I had off. And yeah, that included posting anything here. And, actually, the last design I uploaded to Spreadshirt was on the 19th of August, and it is the design directly related to this post, so yeah, it's been a while since I've designed anything.

And then, there's today! I recently learned that that "11.8inch x 11.8inch" size limitation only applies to flex printing. The size limit for digital direct printing is closer to 15inch x 15inch (or "3,000pixels x 3,000pixels" at 200dpi)! What this knowledge has done, is open the floodgates of my imagination, and I've got all sorts of crazy ideas spilling out. BUT!...that's an issue because I'm far from catching up on my "design journal" posts on here for what's already available.

So, I'm kinda having to rededicate myself to this blog again. As I've explained before, I'd rather be making designs than sitting and writing about them. But...it's why I started this blog, so I migth as well. Can't be going and half-assing things, it ain't my style. I'll start as soon as I can work up the motivation to. Until then, carry on...

J, out!

Variations and Deviations

(but aren't they all deviations?)

This is just a quick update. So, I feel like I am at a point (as far as catching my design blogs up to the available designs) in which I can start rolling out some of the alternate versions of some of my main designs. Less of a variation from RELOAD! 2.0 to 1.0, and more like the difference in between the KA-BAR Backstabber, and a Backstabber featuring a different knife. And then, some of these are combinations of elements from other, multi-part designs.

I'll be starting to post some of those soon, so be on the look out for them! That is all. Carry on.

J, out!

The *Biggest* Fan

(like, ever)

S'been a week since my last post, so I think I'm ready to make a design related post now! Here's a design which I had actually been meaning to make for a long time. Lemme put it this way; that conversation that I describe in my [Backstabber] post, in the second paragraph? The receipt I pulled out to write that "Blades & Blood" idea down on had a sketch for this design already on it.

(Click image for larger version)

So, lemme give you the backstory to this one. Before she moved, I'd hang out with my friend Adlyn about once a week to bullshit, catharse, watch a movie, or whatever.

Well, one of those times, on my way out, something caught my eye. So I pulled a receipt out of my wallet, popped the top off of my pen, and began sketching. When Adlyn asked me what I was doing, I told her I was sketching her ceiling fan and began rambling some nonsense.

To put it plainly (probably plainer than how I explained it to her), there was something about the way the ceiling fan looked that gave it the appearance of a character to me. Like it had eyes, y'know? Well anyhow, that's the original sketch to the left. That thing had been sitting in my wallet for a while...

I can't tell when or where the receipt is from, only that whatever it was cost me $8.03. Knowing me though, it was probably sitting in my wallet for a while before I even sketched on it (I like having makeshift canvases like this available, to take ideas down on should nothing else be available, so I keep such things stored in my wallet).

Fast forward to April 13th, and on the way out of Adlyn's I decided to get a reference photo of her ceiling fan, so that I could be prepared when the time came to crank out the design. Not too soon after, on June 29th, after finalizing a few other designs, I began work on it. Strangely enough, I also prepared and posted a blog on the same day, mentioning that I was actually in the process of finalizing the design near the end.... Geez, creating a design and writing a blog at the same time? I guess that could give y'all some idea of the way my mind works at times. At this point I remember wishing that I had taken a picture of the ceiling fan with a better camera (i.e: anything other than my cellphone) and with better lighting (i.e: anything better than with the lights off...at night). By then my friend Adlyn had already moved out of that apartment though, so that wasn't possible. Well, enough of my blabber. Here it is!

(Click image for larger version)

Pretty silly, huh? Designing this was straight forward enough, even though I began with a different vision of what it would be in my head. Still, I like this much better. After I sent Adlyn a text with a shot of it though, we kinda got into a little back and forth on the font choice.

Basically, it all boiled down to her not liking the asterisks. I informed her that they were there for emphasis, so she told me I should italicize the word. When I told her that I didn't want a design in which just two words were in use to have differing looking text she told me I should use all caps then. When I replied that all caps took away from the readability, and that the emphasis was of a quiet, self-assured type (with the all caps being more of a yelling type), she... Well, actually, I think she left me alone at that point.

It's alright though. I've made the ceiling fan design, sans the type, available as well. So anyone that doesn't like my font choice, the asterisks, or even the message itself can add in their own. Interestingly enough, some folk must not mind the font or the asterisk, as someone actually purchased 4 products with the complete design on them! I thought that was pretty cool. Also, I showed a friend a few days ago, and she couldn't stop laughing, so I'll take that as positive feedback. Or maybe she was just high? Most of y'all reading this probably are also, so maybe I've found my audience? Hahaha! Ah, what an asshole....

Drop on in by my shop every now and then. There's new stuff coming in irregularly, so look out for that stuff. I'll try to crank more of these blogs out, possibly even catch them up to the corresponding designs available. That's all I had for this one. Y'all carry on.


J, out!

"Beautiful Strokes"

(I just like that name, I don't know why...)

So I just upgraded to CS5 last night, but I've been too busy to try playing with any of these new things yet. My school is still on CS4, and was on CS3 when I started there in the Summer of '08. I can't say I ever took the time to learn what was new from CS3 to CS4, but I'm taking a little more care to find out about some of these things now. I figure knowing about these could open the door to many new possibilities in my head, at the least, and with just about everything I do starting there, that would be optimal.

I still remember how my imagination exploded with ideas and possibilities when I first learned about and began to understand the concept of "layers". It may sound silly, but I didn't sleep much that night. My mind just kept cranking out idea after idea after idea and I couldn't get it to shut up!

Folk who know how I go about creating digital art (which, admittedly, I don't create enough of and working within the restrictions of Spreadshirt greatly tones down some of these ideas I have. BUT!...that stuff is for a later time) know I'm BIG on layers. Like...BIG! They just make things so much easier! But...I'll leave it there. I gotta watch myself, lest I got off on some random rant. I don't really have time for that today. I'll try to drop by soon to post some more t-shirt design process blogs. But until then, feel free to visit my designer profile and look through my shop and designs from there. Y'all carry on now...

J, out.

Meat Pyramid

(No, not that kind of meat, pervs!)

So, about a month ago, before I began writing the blog for the GI 1911 RELOAD! 2.0 design, and idea popped into my head. This even excited me enough to mention it at the beginning of the blog! Now, I won't claim that it is my most original design idea yet, but I designed it myself and I've yet to see anything like it on Spreadshirt. But, let's cut the gibber-gabber and get on with the blog!

The concept: The idea for this came from a pretty mundane source. I don't know if I've mentioned it before, but the origins of human behavior are of high interest to me, and I am someone who believes that we should do our best to live in a more..."natural" state, for the sake of our bodies and of our minds. So with that said, I am completely opposed to the idea that being a vegan or vegetarian is better for you. That shouldn't be that much of a surprise. I mean, I just posted some blogs about a design which includes a hot chick, a gun, and a car. Would anyone really think I'd not be a meat lover after those little revelations?! I'd think not.

I don't want to go off into a rant, but I'll say this much; A friend of me who was mostly vegetarian quit recently after seeing her health go progressively south, and after finding out that soy products are just about the worst substitute for meat, in relation to health. I had been telling her about that for ages, so my gentle "I told you so" kinda sparked this idea in my head. I hadn't made any very provocative designs up until this point (what a damn liar!) so I thought I'd take a stab at it! You could say this is my blatant, offensive way of letting the world know that I enjoy eating other animals very much. If you agree though, then you might also find humor in it.

The execution: First, as always, I began by hunting down some reference images. I got myself a hen, a piggy, and a cow.

(Click image for larger version)

I started with the hen. This was pretty straightforward. I think I wanted to go a little less detailed with the silhouette, but...well, it is what it is! The only thing of note that I can think about with this design in particular is the change I made with the legs. If you haven't noticed, this design is not a perfect copy of the reference image I have linked above. The first silhouette was, but that rear leg just bugged me to no end, so I chopped it off!...and then copied the forward leg, dragged it back a bit, played around with the orientation and there you have it! I personally think it works a lot better now.

(Click image for larger version)

Next, we have the piggy! Same as the hen, It was pretty straight forward, but I feel like it's the least detailed of the bunch. I mean, it's got a pretty plain form, but I guess I can blame the reference image for that. Same as the hen though, I altered it as I saw fit to get the message of "Hey, it's a pig!" across loudly and clearly. The more obvious of the two is the third leg back. If you note the reference image, you'll see that its hind legs are close together. That just wasn't working for me, so I took the first leg, added more leg to it and moved it back into place. The next change (which I consider the least obvious, but it probably depends on the individual viewing it) is the extra piggy ear. In a true silhouette of the reference image, you wouldn't see that second ear, but this was something else which I felt would help solidify that this is, in fact, a pig. So, there you go!

(Click image for larger version)

And last but not least, we have the cow! This was a little tougher to get done in a simplified enough manner. On one of the initial runs (I have to create an outline for these from start to finish, and it's difficult going back and fixing something midway through) I was going too detailed so I had to start over from the start. Later I realized that I didn't have a clear view of the hooves, so I had to leave those alone, find a separate reference image for cow hooves and then return and make some while playing it by eye. So yeah, those hooves are a definite edit made by me that wasn't found in the original reference image. Next, is that utter to the left. As you might have noted, there's a calf suckling the one in the reference image, so I had to play around a little with that. That's about all I did with the cow design.

Next I created a triangle, played around with the distances from animal to animal, and then with the distances in between the animals and the horizontal dividers...and then with the sizes of the animals and the width and height of the triangle itself. Getting it all sized and spaced to where it felt good and right was a pain in the ass! That problem took the most use of my braincells (I might have even stopped the music from playing on my iTunes so I could concentrate, haha). So, here is the finished product!

(Click image for larger version)

As you might be able to tell, the animals are not perfectly centered, but that's because it felt wrong when they were. The alignment I used was by eye and based on the proportions of them instead, and I think it worked much better. There was just something...unnatural about having them in a symmetrically centered fashion. Even though the designs were centered, their weight wasn't. Also, I mirrored the cow to face in the opposite direction. It would have been weird having both the pig and cow facing the same way in sequence when the hen wasn't, so I alternated them all by simply having the cow face left. I actually just got a version (I chose a red pyramid with white animals) of the t-shirt in the mail a few days ago and it looks great (this photo doesn't do it justice, but I have no better lighting to work off of. Also, the pyramid really is red, but the light is reflecting off of it and making it all kinds of different colors in the photo).

In relation to the "disclaimer" calling y'all pervs at the start of this post, it's related to something that happened the same night I received the t-shirt. I had a friend over, and before leaving to have dinner she jumped in my bed and noticed it laying there, so I took it and hung it out in front of me for her to get a better view and said "I call it...the 'Meat Pyramid'" but before I could say another word, she replied "You should make it have a huge cock at the top instead of that chicken!" (typical), so I told her "That would match your diet very closely. I'll be sure to make one like that just for you..." in my most sarcastic tone.

With that in mind though, I have considered making alternate meat pyramid designs (no...not with cocks), but have come to the conclusion that these animals are satisfying enough eats for now. Maybe, in the near future, I might get a clearer vision concerning other alternative food pyramids to design, but for now this is all I got! Interesting to note is that this design is still the only one that comes up when one searches for a "food pyramid" on Spreadshirt. I think that's pretty cool!

Well, that's all I have to say on this design! Remember to swing by my designer shop from time to time, as new designs will continue to drop in irregularly. Now go on, get out of here...git!

J, out....

A Quick Peek

(at my ideas list)

So, with the rushes of ideas that I get at random, from time to time, sometimes several stack up and it becomes a little too much to try to manage by my memory alone. In all truth, if an idea has enough of an impact on me, it won't ever really disappear from my mind, but it might be lost in there somewhere until I am reminded of it again. So, my solution is to simply write their names down in a little sketchpad that I keep close by (this comes especially handy when I get an idea late at nigh, as I won't be able to fall asleep from continuing to think about it until I at least put it down on paper).

I wouldn't say it is the number of ideas as much as it is what makes up these individual ideas that make them all difficult to just hold in my head. Anyhow, here's what the current list looks like;

Designs that need

Doing:

* I saw a gun in her hand (LIGHTS)

* Food pyramid

* Devil dog beta type

* Next needs up (demon)

* Any backstabber

* Any blood burst

* (something with spiders!)

* A spider [omitted]!

* "SPIDER BOSS"

* 4 Horse Men

* Davilaisms

* *BIGGEST* FAN!

The one's with the strike-through are just so on paper, basically designs I've already completed. And with the "Backstabber" designs in particular, it would be hard to forget about doing the rest of them when I've already got two made (one of these days I'll get around to posting a blog detailing that variation from the original).

The "food pyramid" one I've also done already. Actually, I did it first thing after posting this blog, and it's actually the idea that I mentioned at the start of it. I guess it just motivated me that much! If you check out my shop and look over the designs though, you'd spot it pretty easily. The small display there doesn't really do it justice, but yeah...I'll blog about that soon enough, so no worries.

Another thing to note from that list, is what I've left out, or the vagueness. Well, if you've been reading the rest of the posts before this point, then you might have already figured out that I'm kind of protective of my ideas and designs. It's necessary though. A good example of that is the "Davilaisms" one (after my own last name). Davilaisms just include ideas that I feel are too hard to define, or that would not have anything else to compare them to, to create their own categories for. Some include just images, others have funny sayings of mine, while the rest are what I describe as personal "aphorisms". So, of course, I would leave said sayings and aphorisms from view.

Also interesting to mention is that the last item on that list is one from before I started keeping the list, and I just remembered about it a little while ago. I'm actually in the process of completing that design, so look for it later in the shop! That's all I had. Carry on!

J, out!

RELOAD!...1.0?

(the pseudo predecessor)

As those of you who read this blog might know, 2.0 came before 1.0, so why the backwards number designation? Well, I explained it in that first "RELOAD!" post, but I will go over it again briefly. Basically, even though I made the decision that this would be a "twin" design (two versions of it would be produced) from the very beginning, 2.0's full color, dynamic perspective, and realistic representation of the M1911A1 just made it feel like the more "modern" design. While 1.0's more iconic, flat, minimalistic representation seemed like the more "primitive" of the two, thus the number designations for each. Now that the nomenclature has been beaten around some, let's move on to the execution!

My first step, in case you couldn't guess, was to find a good reference! But...finding a 1911A1 with its slide locked open, from a profile view, was basically impossible. Hell, finding the reference for 2.0 was easier! It seemed that I would have to acquire one of my own to photograph to get exactly what I wanted. The best I could do was to, basically, "compose" my own out of what was available. I ended up having to settle for these two. I basically only used as much as I needed from each, as show here (#1) and here (#2).

Refer back to this image if you need help locating the part of the pistol that I may be referring to.

So, basically, in trying to represent an authentic "A1" 1911 (also know as the "GI") I did the following; excluded both front and rear sights, "beaver tail" grip safety, and ring hammer from #1, then added the sights, "GI" grip safety, spur hammer, and arched mainspring housing from #2. Did I lose anyone yet?

(click image for larger view)

So...I'm just now realizing that I totally forgot to include the loop at the bottom of the mainspring housing that they would have attached the lanyard to. But...now that I think about it, if it wasn't a conscious decision made then (I think it could have been, but I would have remember...right?) then I am fine with that little omission. I think it looks fine as is without the lanyard loop. Moving on...

So my next step was to use Illustrator's pen tool with stroke and no fill. I outlined the parts of interest, selected all and switched it all to fill with no stroke. For the slide serrations, I left a rectangular area open there while creating the outline of the slide, then I returned, made a rectangle shape, and stretched it to be suitably high. Next, I played around with its width until I had what I felt was a thin enough (but at least wider than 0.06 inches, the minimum size restriction for flex prints on Spreadshirt) and multiplied it until I had enough of them to space out to a least the 0.04 inches of distance required.

My next challenge was to create a grip panel. I started by setting the pen tool to no fill with a 4 point stroke and outlined the grip panel, diamonds and all, making sure that the bottom end of it extended past what I already had of the frame. Next, with those strokes still selected, I went up to the top menu, under "Object", selected "flatten transparency" and checked the box that says "convert all strokes to outlines". This stroke was green in color, so when I selected everything and chose "merge" from the pathfinder window, it merge the green outline and made any of the red underneath it disappear (if the outline would have been red, like the rest of the design, it would have just become one with the rest). All I had to do then was use the "direct selection tool" to pick the green outline, delete it, and voila! An illusion of a grip panel was created. The process to create the negative spaces representing the pins and screws was the same, except that I used the ellipse tool set to fill and no stroke and made sure to make circles wider than 0.04 of an inch.

Last, but not least, I used the text tool, found the font that I felt fit the design the best, messed with the kerning, flattened it with the "convert all text to outlines" option selected, played with its sizing, distance from, and orientation to the 1911 until it felt right, and called it a night! So there you have it, as pictured above. This is the "GI 1911 RELOAD! 1.0"...

Interesting to note is that I have gone back and adjusted the spacing in between the text and the pistol, and made the text a different color from that of the 1911 since first producing this design. I wanted to give anyone ordering a t-shirt with the design more room to personalize its colors as much as possible. Sure, two color flex designs (referred to as "flock" there) cost more, but if one makes the color of both the pistol and text the same, the price will actually adjusts down to that of a single colored design. This makes my life easier because now I don't have to worry about uploading and managing two separate files!

That's pretty much all I have for this one! Been wanting to get this blog out of the way (believe it or not, I find creating art more fun that blogging) for a good minute! As mentioned previously, my shop is open for business! A link to it can also be found in my Spreadshirt user page, which you can find by viewing my "complete" Blogger profile on here.

Well, now that I have all of that out of the way, I will leave you to your devices! Until next time, carry on.

J, out!

Like I Cracked My Head Open, and Ideas Are Spilling All Over the Place

(that's gonna leave a stain...)

This is kind of funny. You might not be aware of this, but I've been trying really hard to catch my blogs up with the designs that I have made. Like, I want all of my designs to have a coinciding post of their own, y'know? I've been getting around to that, but there is a phenomenon that has occurred now that I have free time in my warm little hands; I've received an influx of creativity and the motivation to do something about it.

Just last night I ended up creating a new "Backstabber" design, another all new design, and by midnight I had revised and tweaked the KA-BAR Backstabber design! What does that all mean? Simply put, that I'm churning out designs faster than I am posting blogs to detail their conceptions and gestations. Of course, if you faulted me, a visually creative person, for this, I would disagree with you in a strongly worded fashion. But, still, I feel like at least some sort of explanation is needed. Why?

Because my designer shop is open for business! Now, any design that I have available there is, more or less, open to public viewing. I guess you could say that I like to give everything a little bit of context, lest I feel a bit naked. But feel free to peruse all you wish, and keep an eye out for any additions. Meanwhile, I'll continue my efforts to get my posts caught up to my designs. Until next time, carry on.

J, out!

RELOAD!

(Quick aside; Just before I started writing this I came up with another great idea. I even did a quick search on Spreadshirt and found that no one [for shame!] has undertaken the task of creating such a design, so I am taking it upon myself to provide it to the world!... Now back to your regularly scheduled programing...)

I am finally getting around to dedicating a post to the idea that started it all. "RELOAD!" One simple word, with one simple meaning, yet (I feel) very iconic! Seems crazy that I've been referring to this design since the start (and I've had it done since!) but I am just now getting around to this.

I don't know exactly what it was that was going through my head at the moment, while I was sitting in Survey of Media & Design and listening to the lecture, but I was just doodling in a sketch pad, just spitting out ideas (I was actually trying to come up with the Brand) when some pistols started making it onto the page. Now I really wish I could go back in time and get in my head, because I really have no idea what brought about the next thing. As I was sitting there doodling some more, it seems like the word "RELOAD!" did something for me, and soon after I wrote it down that first time I had what is the sketch for the original concept; a 1911 pistol that's run out of ammo, with its slide locked to the rear.

Now that I got that out of the way, let's get down into the execution! This was a bit of an exercise, though I'll probably make is sound super simple. What I did first was to find a suitable reference image. The pistol I wanted for this is the legendary 1911. Genuinely American, like yours truly! Also, I grew up on Metal Gear Solid, so when I saw Big Boss drooling all over a 1911 (starting at 03:44, but check this one out too!), it definitely caught my attention and I went off and researched it. You could say I've been a fan since!

While I referred to it as a Colt (the original manufacturers of the pistol, back when John Browning designed it) in that sketch, I ended up finding one that, while being a Springfield Armory 1911 instead of a Colt, fit my vision almost perfectly, so I went with it in the end (a little too much blue for my taste, but I took care of it soon enough!). What I did next was to take the image into illustrator and used the pen tool set to stroke with no fill, with a stroke size of about 4 points, and gave a heavy outline to all of the outer edges. Then I went in with a smaller stroke size and lined out the rest of the details.

I'll provide this image to use as reference, should any of you not understand what part of the pistol I am describing.

(Click image for larger version)

This is what the basic "outline" looked like. I had some people watching as I created this and they seemed pretty wowed. I was thinking "Pfft! Dude, I'm haven't even started..."

I always felt like it looked a little off, like the barrel was too long and the rear of the slide was too short, but if you compare it to the reference image, you'll see it's the same. I guess my artist brain doesn't want to be OK with something being fine as it is. Silly brain!

My next step was to select all and copy the outlines, open up a new photoshop file, paste them in there, rasterize them, bring in the source image on a separate layer, and prepare to add some color to the whole thing.

(Click for larger image)

I'll go ahead and make the 1911 design available now, as a living, breathing, visual aid to my ramblings.

So, with the photo in the background for reference (and color picking) I made a new layer under the outline and started on the barrel. I used the color picker (also known as the eye dropper tool) to choose what was just about the barrel's main hue and just applied it to all of the outline's barrel. Next I isolated sections (with the selection tools, mainly the lasso, actually) mimicking the shape of the highlights, midlights, and lowlights on the actual 1911 barrel and went over them with either the dodge (to lighten) or burn (to darken) tools. These ended up looking pretty sharp, squarish, and posterized looking. To remedy this, I selected all of the paint for the barrel and blurred it until I attained the look that it has now.

Next I used the color picker again to find a median shade of gray to use for the frame, slide, and the rest of the parkerized parts of the 1911 pistol. You could totally miss it if you don't have an eye for details (or if your monitor sucks), but the parkerized parts are done in gradients, going from dark to light (and vice versa) from front to back, back to front, down to up, up to down and side to side. I had fun with this, and it was probably the most time consuming part of the whole thing. Next I did the same thing with the wood grips, the went a little crazy with some hatching and cross hatching lines. To wrap that all up I picked the layer with the outlines, went into the adjustments and turned them black.

(click for larger image)

After I was pleased with those results, I applied the text, colored it in with a gradient of a light to dark red, flattened all of the layers together, then made a copy of that combined layer, placed it underneath the original, filled it in with white and set it to sit slightly to the bottom and off to the right, flattened those layers together, and called it a night!

The length of this post is just about proportional to the length of work that I put into this design. I'm sure I spent over 8 hours working on this, and that's not including the sketches, pondering, and the search for the reference image. All in all, I am very pleased with the outcome, and even though it took me very long to finalize this, I am looking forward to the next one. The full title for this piece is "GI 1911 RELOAD! 2.0". The "GI" denotes the model type (it's supposed to be a WWII replica, a bare bones M1911A1). The "2.0", however, warrants a longer explanation...

From the beginning, I planned on making this a "twin" design. One replicating the real thing closely, and one in a more "iconic" style, such as the style used on my Backstabber design (I explain what I mean by "iconic" in the 3rd paragraph of that post). Since I consider the iconic one to be the "retro" design of the two, I am giving this design the 2.0 designation, and the iconic the 1.0. Stand by and I will be getting around to hashing out a post for the said "iconic" RELOAD! design. Until then, y'all carry on!

J, out!

Designer Shop

(Kinda late for an update. It's past my bedtime! Haha...)

I'm working on getting a designer shop set up at the moment. I've had a premium account on Spreadshirt for a minute now, but I haven't had the opportunity to work through the intricacies of setting up my designer shop. The advantage of a "designer shop" is that I don't have to worry about all of the minutia that I would with a standard shop (available to anyone with a free account). Some of these "minutia" include what I believe are some pretty important details. For example, what piece of apparel should a design go on? Should it be a heavyweight men's t-shirt, or a woman's v-neck t-shirt....in pink?! What about the color of the design? The exact size and placement?

Sure, as the originator and creator I have a vision, my own artistic direction, to each design. But what happens if  a person loves the design, but not necessarily my arrangement? What if an individual likes my Backstabber design, but would rather have it without the text on the front? Or even yet, what if they want the design on the front of their apparel?...

If you can't tell by now, I could come up with many more scenarios for why a designer shop, which allows the customer to set up the design they want (in whatever color, size and orientation), on what piece of apparel they want. There is A LOT to choose from, clearly too much for me to decide what gets in and what doesn't. I actually have about 10 new designs waiting to be approved, so for now, I won't be making my designer shop active. Also, I will be deactivating my old "Tarantulas" shop and designating the new designer shop as such. It's kind of useless at this point.

I'm feeling kinda rushed, so I don't know if I left out anything else that I might have wanted to mention, but for now, that is all I had for y'all. Carry on!

J, out!

Brand, version 3.0 (or "Let's Get to it Already!")

I've been posting updates about the "Brand" for a good while now, so I think it's about time that I got on with it. I've already made a post about how I came up with the design and so on. Not a day later and I posted another update about a change of heart I had on the usage of the brand, for sake of keeping the costs as low as possible. And finally, just last week, I posted an update about some of the changes that the Brand has gone through during the time since I made that first post debuting it, but it was nothing but vagueness, so I'm addressing it here!

My first reason for changing the first design was that it was not compatible with "Flex" printing. The simple way to explain it is that sections of a vector design have to be at least 0.06x0.06 inches big, and spaces in between sections need to be at least 0.04x0.04 inches big. Obviously (or not, just from looking at it), the first Brand design did not meet the criteria, so a redesign was in order.

The way I tackled it was pretty simple, and looking back, I could have probably gone with a thinner type face, since the type I went with was definitely much wider than 0.06 of an inch. Anyhow, I opened the design with the original spider by itself in Illustrator, took the eraser tool sized to a circle approximately 0.04 of an inch wide, slashed through the divisions already in place on the body and legs, joined the fangs with the thorax (as well as for making the points of the fangs hang downward), got rid of the eyes, and made leg sections thicker were needed, mostly near the ends. To finish, I then joined it with a thicker font and left the store URL out (font that small would obviously not fit withing the 0.06 inch width).

The image to the left here (click for larger version) is the final product of that effort. It's definitely not as organic as the original, and I dislike that the eyes are gone, but I like the legs thicker. I had a digital direct version (so that it would match the main design on the front, in color, feel, and texture) printed on the back of the "GI 1911 RELOAD! 2.0" t-shirt prototype that I ordered, but noticed that it was a little large for the role I wanted it to play (I wanted the "JR DAVILA" a bit higher up on my back, but the spider pushed it down a bit too much so it fell out of my vision for the placement), so I immediately decided that I would be redesigning it.

An aside, and something that doesn't really matter now (you'll see when I show you the final revision), was something else that my friend Cindy pointed out to me. She was reading the brand out as *JUNIOR* Davila, while I meant it to be read as *Jey-Ahr* Davila. When I told her this she went "But you ARE a Junior!", "That doesn't matter, it's supposed to be my first and middle initials!", "What, R****?", "Don't call me that!"

*Ahem!*... So, yes, that's why I'm not signing off as "JR" anymore, either. Moving on...

Fast forward two months (like 3 weeks ago) and I got some time to sit down and hash it out! Plugged my tablet in, opened up the original spider design, selected the pencil tool set to fill all strokes and went at it! It took me longer than I'd rather admit, so I'll just skip to it and show you the finished result!

(Click image for a larger version)

It's beautiful!...in, uh, it's very own, disgusting, creepy, arachnid kind of way (gag). And I was even able to add in (or would that be subtract out?) some eyes for it! That's one of my favorite parts about it. I'm going to post an update later with some of the doodles that I made while still trying to decide what my brand would look like, and explain the significance of the six eyes then.

Y'know what though? I'm surprised it took me all the way until this post to start mentioning Cindy, since she seems to be one of the only other artist critiquing my designs before, (more on that later) during, and after my creative sessions. So far, she's been the only person to question my choice to go with six eyes instead of eight. Of course, I quickly explained to her that some spiders have even less. Besides that she loved it though! She didn't actually see it until I was already wearing it on my "GI 1911 RELOAD! 1.0" tee. It rides right on my left shoulder blade on that t-shirt. She liked it so much that she wants me to get her something with just the spider on it though. She thinks it's "cute" (I strongly disagree that anything with 8 legs is cute, but...).

As far as usage for this brand design goes, as I mentioned before, it will be just for promotional purposes, so it will only go on t-shirts that I order for myself or for friends. I'll also be making PNG versions to coincide with any digital direct designs, and those will contain the shop URL in a crescent path around the spider.

That seems like just about everything I wanted to say about the brand for now. Keep a look out for the next post, when I'll return to muse about my "RELOAD!" design. It'll be a good one, I promise! Y'all carry on now.

J, out!

Keep it Simple, Stupid

I just wanted to make a quick "heads up" post. I want to keep this one short because the tips of my fingers and nails are hurting quite a bit right now. I was at the beach earlier today, and while digging a hole with my bare hands, found out just how tightly packed the sand is down there. Like...WOW! I think I almost ripped my nails off trying to break through it! I can see under there a little, and...it looks kinda red in there. I'm thinking about going and dipping my finger tips in rubbing alcohol. Man, that's gonna burn though... It shouldn't have surprised me that the sand was packed so tightly though, with around 67% of folk in our great country being overweight or obese!.....

Huh.... Did not see that random rant coming. Let's get back on track....

This, is about the brand. It just so happens that I have redesigned it twice since that post was made. It makes me laugh a little that after much brain storming, and lots of trial and error and tinkering, the design that I reached in the end was the simplest. The title of this post is something that I need to remind myself of, should I run into problems like this in the future. A fault of mine is that, sometimes, I fall into some sort of obsession with the details and become overly focused on things that are, essentially, unimportant. I need to learn to step back and give my brain a chance to focus outwards, on the Big Picture.

This seems like a lot to write for a "non-post", but I guess I just felt like some self-disclosure tonight. Truth is, this "journal" is as much about the artist as it is about the designs, since neither exists exclusive of the other, and the latter is wholly dependent on the former. Let's cut this short here before it dives deeper into the theoretical and philosophical. I could go on about things of the sort for an eternity. Y'all carry on...

J, out!

Reactions and Thoughts on the KA-BAR Backstabber

I thought it would be good to do a quick follow up blog containing a little more info, beyond that concerning the design itself (pictured left. Click the image for a larger version).

To start I want to say that the colors on flex print are very vibrant. The red "[Backstabber]" font on the front of my t-shirt contrasts so very highly with its blackness that it can't help but catch the eyes of anyone within viewing distance. With it catching so many people's attentions, a few things have been brought to my attention...some realizations.

First, is that the pop artist known as Ke$ha has a song titled Backstabber. But the way that this knowledge was made available to me was by way of being asked "So, you like Ke$ha?" That was an interesting conversation, and I found it highly amusing, but as those of you who've read my prior post are aware, this has nothing to with Ke$ha's song.

The next realization is that t-shirts with front and back designs, in which those two designs are dependent on each other for the complete narrative, are a type of special experience for those who are exposed to them and thus become its audience. The experience of those who see the KA-BAR and the blood before the text on the front is different to those who see the text before the knife and the gore on the back. And likewise, the experience of those who only saw the back, and the way it made them feel, is very different to those who only read the text on the front of the t-shirt, and how that made them feel. How exactly? I couldn't tell you. That makes me think about the next thing though...

A girl I see around often enough, but who's a bit of a stranger to me, commented on the t-shirt. She dropped me a "Well, at least now I know not to trust you!" with a smirk. I found that intriguing. I mean, I know it was just an attempt at flirting, but I took it and I thought about it for a bit. So I ponder "What does this t-shirt say about me?" What does the Backstabber t-shirt say about the person wearing it? To answer that, I need to take this back to its origin.

In Modern Warfare 2, the Backstabber title is earned by sneaking up and stabbing an enemy player in the back while playing in any of the online multiplayer matches, and while I play (Or more like, when I played. I just don't have the time anymore) it is a title that I wear out proudly. It was a badge of honor given for being a sneaky fuck. And, honestly, I like it. You could say that I like to think of myself as a clever, sneaky, fox type of person. But the type that stabs my enemies in the back because of my cunning, not the type that tabs my friends in the back through being deceitful. Does that make sense?

To round this out though, I'll speak about how I figured these design choices would be read, and you could say that what I was aiming for initially was some sort of irony. You have a t-shirt labeling the person wearing it a backstabber, and all the while the person has a knife in their own back...

That's it for that follow up on the KA-BAR Backstabber t-shirt. Expect Backstabbers featuring different...weapons in the future. They'll start coming along as soon as I get the next thousand things out of my head. Carry on!

J, out!

[Backstabber]

(These designs have been updated as of June 25, 2010)

Been talking about this one for a while, so let's get to it! To start, I'll give you a little bit of background on what brought about the idea...at least partly (I have so much going on in my head, and I take in so much stimulation from everything in the environment that either emits or reflects light  [is that impossibly inclusive enough?] that it's impossible pointing at all definite sources. I really don't know). Well, anywho, on to the story;

Basically, I enjoy playing Modern Warfare 2 as much as the next guy, and the manner in which I was playing (sneaking around then running up and stabbing enemies in the back) earned me the "Backstabber" title pretty early on. It wasn't until sometime later, when a friend of mine with a thing for violence and I were strolling through the mall, talking about my idea for the "Reload!" t-shirt that the vision came to me. A few more did also, and I even went and decided right then and there that I would call the line Blades & Blood, but this isn't about all that, so I'll move on...

From the start my vision was of a two color design, and I wanted it to be very...iconic. Do you get what I mean by that? By "iconic", I mean that I wanted the elements to be icons. To me this means simple, clean, crisp representations of the things depicted. Like the sign on a public restroom's door letting you know which gender it is for, or the sign that represents a person in a wheel chair over the handicap parking space. When you look at these, even though people don't look anything like how they are depicted, you know what they mean, almost at a primal level. I wanted the design to speak in the absence of any font or type...and yet, I didn't want it to be so simple that it would look unrefined. I didn't want the common representation of a knife people see everyday. Don't get me wrong, that plain old thing gets the message across, but I wanted something more. This had to be mine, I had to own it. With those things in mind, a vector design seemed like the best bet.

I began by choosing a knife with a powerful link to my past. The KA-BAR fighting knife. This knife - its pommel, hilt, and blade - are ingrained into the memories of my time served in the U.S. Marine Corps. The knife itself is iconic, and as far as I'm concerned (being a Marine, so I don't really know if the other services use it), it's a Marine fighting knife! So, now that I've given you the long back story, I can tell you about the design process...

 (Click the image for a larger version!)

First off, I don't have the image that was used as reference, but a look at any old KA-BAR will give you a pretty good idea of its basic build (so, yes, the blade is supposed to sit that far forward). Secondly, I want to make it clear that Spreadshirt has very strict standards on their "flex" printed designs, so these designs can be a bit of an undertaking (I got more stories, trust). The biggest restriction is that sections in a design cannot be smaller than 0.06x0.06 inches in size, and gaps between sections cannot be smaller that 0.04x0.04 inches in size. These restrictions in particular turn generating and finalizing these designs into some sort of artistic math problem!

Using Illustrator, I took the pen tool, set to stroke only, blocked out the sections that you see, selected it all, and then switched it all to fill with no stroke. The way that I created that oval with the negative space around it, on the spine of the blade, was by using the pen tool to shape out the form, set to stroke only, in a color different from that of the rest of the knife. I then went to the top menu, and under "Object", chose to flatten, checked the box that says "turn all strokes to outlines" and OK'ed it. After that I pulled up the "Pathfinder" window, and chose the "merge" option. This made it so that the part of the blade below the off-colored oval disappeared, so after that all I had to do was individually select the oval with the "direct selection tool" (shortcut key "A"), press "delete" and voila! An oval of sorts divided from the rest of the blade by a negative space.

Above and to the left you have the finalized KA-BAR icon design. That was about two thirds of the work.

My next step was to create a dripping, blood stain (I'm not sure how else to describe it) to stab  the KA-BAR into. It's kinda funny creating a design that you won't be using all of in the end...

To start, I free handed (with a tablet and pen) the blood with the pencil tool, set to fill, and used the eraser and such to refine it. Once I had its basic form down, I went and changed its aspect and size so that all of its parts fell within the 0.06x0.06 inch size minimum. I basically widened it a whole bunch. The initial design was much narrower. From there I took the KA-BAR and, like, castrated half of its blade (Did I mention how it bothers me that a part of the design that I am proud of isn't even being used?!) and messed around with its orientation until I got it to a place where it felt right. Below is the finalized "KA-BAR Backstabber" design, in all of its vectorized, digital glory!

(Again, click the image for a larger view)

So, yeah. There it is, boys and girls! Here's what one looks like on a t-shirt, in case you were wondering. I have a fellow "artist" friend who disagrees with the flatness of the KA-BAR, as he figures it would look more "dynamic" if it had some perspective to it, but the flatness and plainness is precisely what my vision was. So in the end his opinion, though appreciated, was kind of irrelevant. You can call it arrogance if you wish. I call it staying true to the vision and to the feel that I set out to achieve from the get go. This is meant to be an icon, not principled "art".

And....I think that's about all I have for this one.

If you have any questions, comments, or concerns, simply post them over in my comments and I'll see about getting back to you. Carry on!


J, out!

Like, two months later...

(...and he swings in talking about money)

Anyone doing that "Amazon Affiliates" thing? I'm already trying to sell folk on ideas on here...and I'm already selling my used, school books on there...so I feel a bit dirty for even considering it.

Anywho, I've been really busy, but I'm gonna try to get back in here and into the swing of things (what swing is that? I only have, like, two blogs posted here). This place is pretty lacking for a design journal type thing, huh? I know, I know.

As far as the t-shirt thing goes, since I last updated, I sent for my second "Backstabber" prototype (I buy everything I design. Firstly, to check that it looks as well on the shirt as it does in my mind, and secondly because I freaking love t-shirts. It's a good idea though, since I didn't like how the first prototype looked at all), and loved it, so that is now the "production" model. My first "1911 RELOAD!" prototype is on the way, and this will be my first "digital direct" design.

Aaaaand...it's extremely likely that none of this means anything to any of you. I will get on here a blog a bit about the design, the idea, and maybe even show you some of the doodling I did to come up with the idea later, but for now, I'm gonna have to leave you with that! I have a busy day ahead of me, here, outside of my t-shirt designing dreamworld. Ain't reality and responsibilities a kick in the balls?

JR, out!