RELOAD!...1.0?

(the pseudo predecessor)

As those of you who read this blog might know, 2.0 came before 1.0, so why the backwards number designation? Well, I explained it in that first "RELOAD!" post, but I will go over it again briefly. Basically, even though I made the decision that this would be a "twin" design (two versions of it would be produced) from the very beginning, 2.0's full color, dynamic perspective, and realistic representation of the M1911A1 just made it feel like the more "modern" design. While 1.0's more iconic, flat, minimalistic representation seemed like the more "primitive" of the two, thus the number designations for each. Now that the nomenclature has been beaten around some, let's move on to the execution!

My first step, in case you couldn't guess, was to find a good reference! But...finding a 1911A1 with its slide locked open, from a profile view, was basically impossible. Hell, finding the reference for 2.0 was easier! It seemed that I would have to acquire one of my own to photograph to get exactly what I wanted. The best I could do was to, basically, "compose" my own out of what was available. I ended up having to settle for these two. I basically only used as much as I needed from each, as show here (#1) and here (#2).

Refer back to this image if you need help locating the part of the pistol that I may be referring to.

So, basically, in trying to represent an authentic "A1" 1911 (also know as the "GI") I did the following; excluded both front and rear sights, "beaver tail" grip safety, and ring hammer from #1, then added the sights, "GI" grip safety, spur hammer, and arched mainspring housing from #2. Did I lose anyone yet?

(click image for larger view)

So...I'm just now realizing that I totally forgot to include the loop at the bottom of the mainspring housing that they would have attached the lanyard to. But...now that I think about it, if it wasn't a conscious decision made then (I think it could have been, but I would have remember...right?) then I am fine with that little omission. I think it looks fine as is without the lanyard loop. Moving on...

So my next step was to use Illustrator's pen tool with stroke and no fill. I outlined the parts of interest, selected all and switched it all to fill with no stroke. For the slide serrations, I left a rectangular area open there while creating the outline of the slide, then I returned, made a rectangle shape, and stretched it to be suitably high. Next, I played around with its width until I had what I felt was a thin enough (but at least wider than 0.06 inches, the minimum size restriction for flex prints on Spreadshirt) and multiplied it until I had enough of them to space out to a least the 0.04 inches of distance required.

My next challenge was to create a grip panel. I started by setting the pen tool to no fill with a 4 point stroke and outlined the grip panel, diamonds and all, making sure that the bottom end of it extended past what I already had of the frame. Next, with those strokes still selected, I went up to the top menu, under "Object", selected "flatten transparency" and checked the box that says "convert all strokes to outlines". This stroke was green in color, so when I selected everything and chose "merge" from the pathfinder window, it merge the green outline and made any of the red underneath it disappear (if the outline would have been red, like the rest of the design, it would have just become one with the rest). All I had to do then was use the "direct selection tool" to pick the green outline, delete it, and voila! An illusion of a grip panel was created. The process to create the negative spaces representing the pins and screws was the same, except that I used the ellipse tool set to fill and no stroke and made sure to make circles wider than 0.04 of an inch.

Last, but not least, I used the text tool, found the font that I felt fit the design the best, messed with the kerning, flattened it with the "convert all text to outlines" option selected, played with its sizing, distance from, and orientation to the 1911 until it felt right, and called it a night! So there you have it, as pictured above. This is the "GI 1911 RELOAD! 1.0"...

Interesting to note is that I have gone back and adjusted the spacing in between the text and the pistol, and made the text a different color from that of the 1911 since first producing this design. I wanted to give anyone ordering a t-shirt with the design more room to personalize its colors as much as possible. Sure, two color flex designs (referred to as "flock" there) cost more, but if one makes the color of both the pistol and text the same, the price will actually adjusts down to that of a single colored design. This makes my life easier because now I don't have to worry about uploading and managing two separate files!

That's pretty much all I have for this one! Been wanting to get this blog out of the way (believe it or not, I find creating art more fun that blogging) for a good minute! As mentioned previously, my shop is open for business! A link to it can also be found in my Spreadshirt user page, which you can find by viewing my "complete" Blogger profile on here.

Well, now that I have all of that out of the way, I will leave you to your devices! Until next time, carry on.

J, out!

JR DAVILA

The first design task that I undertook (the logical choice, I think) was that of my "brand" (click on the image for a larger sample).

Being the detail obsessive individual that I am, I first spent about 3 months obsessing on the design orientation itself and on the name. For the name I had a few ideas floating around in my head and couldn't really make up my mind. Was the brand itself going to be "TaranTulas", or would tarantulas be one of the themes? Then I thought, "Y'know, my name is probably what I should be concerned with 'getting out there' right now." Once I had my mind made up on that, the arachnid design and the font orientation was something that I also fought with for a while. I came up with all sort of "wild" ideas, but in the end I just scrapped them all and went with the most simplistic one. Font from left to right and the arachnid on top. Simplicity is...well, it just "is". It works.

Next was the font face itself. I took typography and learned a few things, but I still felt like I didn't know enough about "font choice". After becoming a little frustrated with my perceived lack of knowledge on "appropriate" font choice, I brought it up to a buddy of mines, Jeremy Moses (you probably think I love name-dropping by now, huh?). He's a graphic designer, and has a lot more experience and education on the subject than I, an animation student, would. His advice actually caught me by surprise. It was something along the lines of "look around and pick whatever you like". I felt a little silly after that. I mean, all of that time I spent fighting with it, and it was just up to me? I thought there were some rules, guidelines, hierarchies, or something that one would follow when choosing a font for a design. I'll blame APA Style for putting the idea in my head that the font you use, beyond it being serif or sans serif, actually matters.

Once I got past that, I went online searching for some big spider reference images. Did I mention I hate spiders? That probably makes no sense, but it's true. The desktop background image on my laptop at the moment is a super close-up of some disgustingly menacing looking spider. Think of it as some sort of...self administered "exposure therapy". Funny that most of my nightmares since have included huge, disgusting spiders. Anyhow, after a cringe inducing google session, I found the image I would use as reference for this initial design. I believe it's a "wolf spider". A kind I've had to smash plenty of in my day. Creep me the Hell out...

So I dropped the image into Illustrator, double clicked the pencil tool and set it to fill outlines (I prefer the pencil tool over the pen tool for more organic subjects) and went to work. I've had to stick to uploading the current design to Spreadshirt as a PNG, since it doesn't fall within their vector parameters. I'm working on finding a different spider to replace it, but in the meantime, that's it. The font is just "Eccentric" with the counters removed and the dimensions warped to my liking. I played around with the idea of having the parts where the font and the spider legs meet turn negative, but it made the design a little busier than I would like, so I kept it as is.

For now, there is only one t-shirt using the logo, and the design is restricted to "digital direct" printing anyhow so it isn't an issue yet. It shouldn't be long until I have a "flex" friendly version ready.

The design was more of a requirement than anything, so I don't feel quite as inspired about it. Maybe one day I will and I'll revamp it however it is I feel, but until then I don't see it changing much. That's all I had for that one, peeps. Carry on!

JR, out!