Next Needs Up: The Origins

(Some needs must be met, as some origins must be known...)

This post has been coming for a long, LONG time. Not only that, it's been a while since my last post. I've actually been sitting here and reading back through some of them in an effort to get myself back into the groove of it, so please bear with me.

This is a tale of a creature  that was born in the depths of my subconscious. How it got there is somewhat mysterious. But even more mysterious than that, is why it got its name. That is something that in all honesty, I am still unaware of to this day, and I am almost certain that it is a question that I will never be able to answer. Its name is "Next Needs Up"...

Click image for larger version

I cannot say exactly when it came into being, since I do remember there being prior instances of me drawing it which I do not have on hand, but the drawing on the cover of this notebook, which I began to use for a "Contemporary Ethics" class in early October of 2009, is the earliest recorded instance of its appearance that I have available. This "face" came from a smiley that I began using regularly around that time. Some of the girls in school and I would text back and forth a whole lot back then, and we'd always invent these crazy looking smileys. The one that this creature came from is ":E". As you can see, it's got the beady eyes, and the distinctive three fangs.

The next known instance is found as a doodle on a loose sheet of paper with all sorts of scribblings on it. The presence of a doodle labeled "duodenum" on this page leads me to believe that it was all done during "Intro to Human Anatomy", which I was taking during the same quarter as the aforementioned ethics class. Those doodles and scribbles are how Cindy and I communicated (don't ask) during many of our classes, hers being in pencil and mine in ink in this example. As you can see (as if I hadn't make it plainly obvious), the creature is present again, and with a whole body this time. The changes that it has gone through up to its final iteration are not many. It is basically more rectangular now, as seen in this instance (whose original file I cannot find) found on my Facebook, dated November 22, 2010.

Now that Next Needs Up's (Adlyn and I began calling him "Next" for short.) physical origins have been explained a little, I'd like to get to the subject of its name. The mystery surrounding this is something that interests me greatly, since my curiosity for it will never end, and it has probably given Next a lot of appeal for me. Just the origin of its name is something that has pushed it into being a character that I will continue to proliferate, maybe in hopes of growing to understand it. Anywho, on to the name...

Click image for larger version

It was a chilly night, and I was having many, many drinks with friends. The occasion: My friend Adlyn had lots of left over alcohol, and she enlisted my help to try and get rid of it...properly. In the morning, while we were all sitting around eating breakfast and laughing about the previous night, she showed me something that I had doodled the night before, and she was laughing at how strange it was. It was on a page on the very back of one of her school books, and it is the image you see to the right.

This...confused me. A lot.

(I'd like to note that I just took a break from typing to stare at the drawing, laugh a whole lot, and to yell "What does it mean? What does it MEAN!?" It is truly baffling...)

So I just looked at her as if to say "What the fuck is this?!" From top to bottom, you have some crazy monster thing (as I named it) with the words "basic needs" in parenthesis. Next down the line, you have my recurring character, which I labeled as "next needs up" in parenthesis. But what does that mean? If it is the next needs up from the previous...thing, which I labeled basic needs, then why is it below it in line? Was I referring to Maslow's hierarchy of needs? And if so, does that mean that I meant for it to be a physical manifestation of the "safety needs"? But why would it look like some monster/demon thing? UUGGGHHH!... Next down the line, is some...really stupid looking thing, which I labeled as "wut?" in parenthesis. Yeah...exactly. (Interesting to note is that these three, if looked at from top to bottom, have progressively less fangs showing from one to the next. Wonder what that could mean...)

I was positively blacked out while I drew this so, of course, I have no idea why I drew any of it, and lack any recollection of what was going on in my head, or around me, during this time. So, after a moment of inspecting it some more, I began to ask her questions. "Why did I draw this?" She didn't know. "Well, what were we talking about?", "Nothing. You were just laying down the moment before." "Well...was I saying anything?!", "No. You just dragged the book over to you, pulled out your pen, and started drawing without saying anything..."


Fucking. BAFFLED! It's, like, the perfect mystery! I could try to attribute some kind of meaning to this, but it would just be a lie. I have no freaking clue! So, that day I just decided, "Well, I guess that's his name! Next Needs Up!" and Adlyn and I have just run with it ever since. I kind of love it now! Hell, I feel safe in stating that I am as obsessed with Next Needs Up as I am with spiders and my own arachnophobia. (And hilariously enough, here is a merging of both!)

Since this post has run a bit longer than I anticipated (really now?), I will be turning it into its own post, and linking posts which contain Next Needs Up related designs back to it, for anyone who cares to read about its messy origins. Thanks for reading this far. I know it's a lot of craziness to read through. Until the next time, take care of yourselves, and carry on!

J, out...

1st Departure: Are Two Girls Better Than One?

(...many seem to think so)

But I'm not here to make a statement or to educate anyone on latent (??) sexual preferences (heh). This is about a deviation (sounds more fun than calling them "variations") born from another design, and the first of its kind.

This first one was born from a part of the Danger & Beauty design. One third of the design, to be exact. The following four deviations came from the "Beauty" design. Both the original one, and the negative space bikini one were used. They're no surprise, so I'll go ahead and show all four of these puppies, and then expound on how they came to be. I believe it will be easier that way...

(Click images for larger versions)

Unless you're half blind (or spatially challenged...), then you've probably noticed that the girl on the right of each of these pairs is simply a mirrored image of the one on the left. No voodoo magicks there...

The way that first pair (without the "Twins!" font) came about was from my messing around with combining designs to display as examples of what anyone browsing through my shop could arrange themselves, to put up in the shops "product examples" section. As I might have mentioned before, each part of my Danger & Beauty design is available to buy/use individually.

So what I did was take two and stick 'em on a shirt, then I horizontally flipped the one on the right and voilà! There it was! But...I noticed that the price on the product with two designs on it was too high for my linking, so in the spirit of keeping the cost down as much as possible for any possible customers who might like that arrangement, I went back into Illustrator, replicated what I had done in Spreadshirt with both the bikini and bikini-less designs, and uploaded each back into Spreadshirt as two color, single designs!

Next, during another session of messing around with the Spreadshirt product designer, I added "Twins!" underneath  the girls and placed it on a t-shirt to display on the product example window. As any of you who've gone and at least messed around on Spreadshirt know, adding font adds to the cost. Things remained that way for a while after...

Fast forward to this post, and while simultaneously messing around with my designer shop and writing the blog, finding the whole "Twins!" thing funny enough to keep around, it came to me that I should probably unify the two girl design with the text myself, and upload it all as a three color design (meaning anyone can change the color on either of the girls and the text independent to any of the other elements), thus what you see just above. Hm...

(stepped away and wrote down a bunch of new ideas)

Anywho, that's about it for how those designs came to be. There is no philosophy that fueled these designs, or any crazy revelations received while hanging out in a cave, simply opportunity, and my aim to keep my designs affordable. You can find these designs under "Twins!" and "Beauties", "Alpha" for the the ones with bikinis and "Beta" for the bikini-less. I'll have posts on other deviations coming soon. Stand by.

J, out...

The *Biggest* Fan

(like, ever)

S'been a week since my last post, so I think I'm ready to make a design related post now! Here's a design which I had actually been meaning to make for a long time. Lemme put it this way; that conversation that I describe in my [Backstabber] post, in the second paragraph? The receipt I pulled out to write that "Blades & Blood" idea down on had a sketch for this design already on it.

(Click image for larger version)

So, lemme give you the backstory to this one. Before she moved, I'd hang out with my friend Adlyn about once a week to bullshit, catharse, watch a movie, or whatever.

Well, one of those times, on my way out, something caught my eye. So I pulled a receipt out of my wallet, popped the top off of my pen, and began sketching. When Adlyn asked me what I was doing, I told her I was sketching her ceiling fan and began rambling some nonsense.

To put it plainly (probably plainer than how I explained it to her), there was something about the way the ceiling fan looked that gave it the appearance of a character to me. Like it had eyes, y'know? Well anyhow, that's the original sketch to the left. That thing had been sitting in my wallet for a while...

I can't tell when or where the receipt is from, only that whatever it was cost me $8.03. Knowing me though, it was probably sitting in my wallet for a while before I even sketched on it (I like having makeshift canvases like this available, to take ideas down on should nothing else be available, so I keep such things stored in my wallet).

Fast forward to April 13th, and on the way out of Adlyn's I decided to get a reference photo of her ceiling fan, so that I could be prepared when the time came to crank out the design. Not too soon after, on June 29th, after finalizing a few other designs, I began work on it. Strangely enough, I also prepared and posted a blog on the same day, mentioning that I was actually in the process of finalizing the design near the end.... Geez, creating a design and writing a blog at the same time? I guess that could give y'all some idea of the way my mind works at times. At this point I remember wishing that I had taken a picture of the ceiling fan with a better camera (i.e: anything other than my cellphone) and with better lighting (i.e: anything better than with the lights off...at night). By then my friend Adlyn had already moved out of that apartment though, so that wasn't possible. Well, enough of my blabber. Here it is!

(Click image for larger version)

Pretty silly, huh? Designing this was straight forward enough, even though I began with a different vision of what it would be in my head. Still, I like this much better. After I sent Adlyn a text with a shot of it though, we kinda got into a little back and forth on the font choice.

Basically, it all boiled down to her not liking the asterisks. I informed her that they were there for emphasis, so she told me I should italicize the word. When I told her that I didn't want a design in which just two words were in use to have differing looking text she told me I should use all caps then. When I replied that all caps took away from the readability, and that the emphasis was of a quiet, self-assured type (with the all caps being more of a yelling type), she... Well, actually, I think she left me alone at that point.

It's alright though. I've made the ceiling fan design, sans the type, available as well. So anyone that doesn't like my font choice, the asterisks, or even the message itself can add in their own. Interestingly enough, some folk must not mind the font or the asterisk, as someone actually purchased 4 products with the complete design on them! I thought that was pretty cool. Also, I showed a friend a few days ago, and she couldn't stop laughing, so I'll take that as positive feedback. Or maybe she was just high? Most of y'all reading this probably are also, so maybe I've found my audience? Hahaha! Ah, what an asshole....

Drop on in by my shop every now and then. There's new stuff coming in irregularly, so look out for that stuff. I'll try to crank more of these blogs out, possibly even catch them up to the corresponding designs available. That's all I had for this one. Y'all carry on.


J, out!

LYPHE

(Also known as "life")

So!...things like school (and the beach, and drinking fishbowls full of alcoholic beverages, and discussing art with friends) have kept me more that just a little busy these past few weeks.

(*checking out when my last post was made*)

Holy Hindu cows! June 30th, huh? (*cringe*) O.K. so maybe it's been a little more than just a few weeks. But, what can I say? I like for these design posts to be nice, clean, and well put together. So while I could just drop in, post a bunch of images and say "There ya go!" it would be incongruent with my M.O. Half ass-ing (stuff I'm into) is definitely not my thing.

You could say that I've gone a bit art heavy on my chosen courses this school quarter, so I will be busier with that stuff regardless. But also, the first few weeks are busier to boot. It's the time when I have to make several adjustments to my schedule, acquire books and supplies, and get my mind in the game.

So with all out there, I think it's safe to say that I won't be making any significant posts for at least a few more weeks. I don't like leaving a two part post all alone by itself like that, but it is what it is!

Still, there are new designs available beyond what I have featured in this blog, so feel free to check out my Spreadshirt designer profile, or my designer shop, for peeks at those. I know, I know! The designs are not as pleasing to view in their small size on there (which is kind of the whole point of this blog!), but it'll have to do in the meantime. That's about all I had for that. I have a lot of drawing to do for class! So, until next time, carry on!


J, out!

RELOAD!...1.0?

(the pseudo predecessor)

As those of you who read this blog might know, 2.0 came before 1.0, so why the backwards number designation? Well, I explained it in that first "RELOAD!" post, but I will go over it again briefly. Basically, even though I made the decision that this would be a "twin" design (two versions of it would be produced) from the very beginning, 2.0's full color, dynamic perspective, and realistic representation of the M1911A1 just made it feel like the more "modern" design. While 1.0's more iconic, flat, minimalistic representation seemed like the more "primitive" of the two, thus the number designations for each. Now that the nomenclature has been beaten around some, let's move on to the execution!

My first step, in case you couldn't guess, was to find a good reference! But...finding a 1911A1 with its slide locked open, from a profile view, was basically impossible. Hell, finding the reference for 2.0 was easier! It seemed that I would have to acquire one of my own to photograph to get exactly what I wanted. The best I could do was to, basically, "compose" my own out of what was available. I ended up having to settle for these two. I basically only used as much as I needed from each, as show here (#1) and here (#2).

Refer back to this image if you need help locating the part of the pistol that I may be referring to.

So, basically, in trying to represent an authentic "A1" 1911 (also know as the "GI") I did the following; excluded both front and rear sights, "beaver tail" grip safety, and ring hammer from #1, then added the sights, "GI" grip safety, spur hammer, and arched mainspring housing from #2. Did I lose anyone yet?

(click image for larger view)

So...I'm just now realizing that I totally forgot to include the loop at the bottom of the mainspring housing that they would have attached the lanyard to. But...now that I think about it, if it wasn't a conscious decision made then (I think it could have been, but I would have remember...right?) then I am fine with that little omission. I think it looks fine as is without the lanyard loop. Moving on...

So my next step was to use Illustrator's pen tool with stroke and no fill. I outlined the parts of interest, selected all and switched it all to fill with no stroke. For the slide serrations, I left a rectangular area open there while creating the outline of the slide, then I returned, made a rectangle shape, and stretched it to be suitably high. Next, I played around with its width until I had what I felt was a thin enough (but at least wider than 0.06 inches, the minimum size restriction for flex prints on Spreadshirt) and multiplied it until I had enough of them to space out to a least the 0.04 inches of distance required.

My next challenge was to create a grip panel. I started by setting the pen tool to no fill with a 4 point stroke and outlined the grip panel, diamonds and all, making sure that the bottom end of it extended past what I already had of the frame. Next, with those strokes still selected, I went up to the top menu, under "Object", selected "flatten transparency" and checked the box that says "convert all strokes to outlines". This stroke was green in color, so when I selected everything and chose "merge" from the pathfinder window, it merge the green outline and made any of the red underneath it disappear (if the outline would have been red, like the rest of the design, it would have just become one with the rest). All I had to do then was use the "direct selection tool" to pick the green outline, delete it, and voila! An illusion of a grip panel was created. The process to create the negative spaces representing the pins and screws was the same, except that I used the ellipse tool set to fill and no stroke and made sure to make circles wider than 0.04 of an inch.

Last, but not least, I used the text tool, found the font that I felt fit the design the best, messed with the kerning, flattened it with the "convert all text to outlines" option selected, played with its sizing, distance from, and orientation to the 1911 until it felt right, and called it a night! So there you have it, as pictured above. This is the "GI 1911 RELOAD! 1.0"...

Interesting to note is that I have gone back and adjusted the spacing in between the text and the pistol, and made the text a different color from that of the 1911 since first producing this design. I wanted to give anyone ordering a t-shirt with the design more room to personalize its colors as much as possible. Sure, two color flex designs (referred to as "flock" there) cost more, but if one makes the color of both the pistol and text the same, the price will actually adjusts down to that of a single colored design. This makes my life easier because now I don't have to worry about uploading and managing two separate files!

That's pretty much all I have for this one! Been wanting to get this blog out of the way (believe it or not, I find creating art more fun that blogging) for a good minute! As mentioned previously, my shop is open for business! A link to it can also be found in my Spreadshirt user page, which you can find by viewing my "complete" Blogger profile on here.

Well, now that I have all of that out of the way, I will leave you to your devices! Until next time, carry on.

J, out!

[Backstabber]

(These designs have been updated as of June 25, 2010)

Been talking about this one for a while, so let's get to it! To start, I'll give you a little bit of background on what brought about the idea...at least partly (I have so much going on in my head, and I take in so much stimulation from everything in the environment that either emits or reflects light  [is that impossibly inclusive enough?] that it's impossible pointing at all definite sources. I really don't know). Well, anywho, on to the story;

Basically, I enjoy playing Modern Warfare 2 as much as the next guy, and the manner in which I was playing (sneaking around then running up and stabbing enemies in the back) earned me the "Backstabber" title pretty early on. It wasn't until sometime later, when a friend of mine with a thing for violence and I were strolling through the mall, talking about my idea for the "Reload!" t-shirt that the vision came to me. A few more did also, and I even went and decided right then and there that I would call the line Blades & Blood, but this isn't about all that, so I'll move on...

From the start my vision was of a two color design, and I wanted it to be very...iconic. Do you get what I mean by that? By "iconic", I mean that I wanted the elements to be icons. To me this means simple, clean, crisp representations of the things depicted. Like the sign on a public restroom's door letting you know which gender it is for, or the sign that represents a person in a wheel chair over the handicap parking space. When you look at these, even though people don't look anything like how they are depicted, you know what they mean, almost at a primal level. I wanted the design to speak in the absence of any font or type...and yet, I didn't want it to be so simple that it would look unrefined. I didn't want the common representation of a knife people see everyday. Don't get me wrong, that plain old thing gets the message across, but I wanted something more. This had to be mine, I had to own it. With those things in mind, a vector design seemed like the best bet.

I began by choosing a knife with a powerful link to my past. The KA-BAR fighting knife. This knife - its pommel, hilt, and blade - are ingrained into the memories of my time served in the U.S. Marine Corps. The knife itself is iconic, and as far as I'm concerned (being a Marine, so I don't really know if the other services use it), it's a Marine fighting knife! So, now that I've given you the long back story, I can tell you about the design process...

 (Click the image for a larger version!)

First off, I don't have the image that was used as reference, but a look at any old KA-BAR will give you a pretty good idea of its basic build (so, yes, the blade is supposed to sit that far forward). Secondly, I want to make it clear that Spreadshirt has very strict standards on their "flex" printed designs, so these designs can be a bit of an undertaking (I got more stories, trust). The biggest restriction is that sections in a design cannot be smaller than 0.06x0.06 inches in size, and gaps between sections cannot be smaller that 0.04x0.04 inches in size. These restrictions in particular turn generating and finalizing these designs into some sort of artistic math problem!

Using Illustrator, I took the pen tool, set to stroke only, blocked out the sections that you see, selected it all, and then switched it all to fill with no stroke. The way that I created that oval with the negative space around it, on the spine of the blade, was by using the pen tool to shape out the form, set to stroke only, in a color different from that of the rest of the knife. I then went to the top menu, and under "Object", chose to flatten, checked the box that says "turn all strokes to outlines" and OK'ed it. After that I pulled up the "Pathfinder" window, and chose the "merge" option. This made it so that the part of the blade below the off-colored oval disappeared, so after that all I had to do was individually select the oval with the "direct selection tool" (shortcut key "A"), press "delete" and voila! An oval of sorts divided from the rest of the blade by a negative space.

Above and to the left you have the finalized KA-BAR icon design. That was about two thirds of the work.

My next step was to create a dripping, blood stain (I'm not sure how else to describe it) to stab  the KA-BAR into. It's kinda funny creating a design that you won't be using all of in the end...

To start, I free handed (with a tablet and pen) the blood with the pencil tool, set to fill, and used the eraser and such to refine it. Once I had its basic form down, I went and changed its aspect and size so that all of its parts fell within the 0.06x0.06 inch size minimum. I basically widened it a whole bunch. The initial design was much narrower. From there I took the KA-BAR and, like, castrated half of its blade (Did I mention how it bothers me that a part of the design that I am proud of isn't even being used?!) and messed around with its orientation until I got it to a place where it felt right. Below is the finalized "KA-BAR Backstabber" design, in all of its vectorized, digital glory!

(Again, click the image for a larger view)

So, yeah. There it is, boys and girls! Here's what one looks like on a t-shirt, in case you were wondering. I have a fellow "artist" friend who disagrees with the flatness of the KA-BAR, as he figures it would look more "dynamic" if it had some perspective to it, but the flatness and plainness is precisely what my vision was. So in the end his opinion, though appreciated, was kind of irrelevant. You can call it arrogance if you wish. I call it staying true to the vision and to the feel that I set out to achieve from the get go. This is meant to be an icon, not principled "art".

And....I think that's about all I have for this one.

If you have any questions, comments, or concerns, simply post them over in my comments and I'll see about getting back to you. Carry on!


J, out!

Like, two months later...

(...and he swings in talking about money)

Anyone doing that "Amazon Affiliates" thing? I'm already trying to sell folk on ideas on here...and I'm already selling my used, school books on there...so I feel a bit dirty for even considering it.

Anywho, I've been really busy, but I'm gonna try to get back in here and into the swing of things (what swing is that? I only have, like, two blogs posted here). This place is pretty lacking for a design journal type thing, huh? I know, I know.

As far as the t-shirt thing goes, since I last updated, I sent for my second "Backstabber" prototype (I buy everything I design. Firstly, to check that it looks as well on the shirt as it does in my mind, and secondly because I freaking love t-shirts. It's a good idea though, since I didn't like how the first prototype looked at all), and loved it, so that is now the "production" model. My first "1911 RELOAD!" prototype is on the way, and this will be my first "digital direct" design.

Aaaaand...it's extremely likely that none of this means anything to any of you. I will get on here a blog a bit about the design, the idea, and maybe even show you some of the doodling I did to come up with the idea later, but for now, I'm gonna have to leave you with that! I have a busy day ahead of me, here, outside of my t-shirt designing dreamworld. Ain't reality and responsibilities a kick in the balls?

JR, out!

A Quick Note on the Brand

So, on my last blog I spoke about my "brand" at length, but I've made a change since. Not a change in the design, but a change on where this design will actually be placed.

I originally planned to place the brand, in whatever color configuration, on the back, bellow the collar, of all single design t-shirts (some of my ideas have a front and a back). Now, in the spirit of making the products more affordable for any possible buyers, I'll be removing the brand from all shopper available products. What do I mean by "shopper available"? I mean that I will be the only person with buying access to the products bearing the brand.

So why keep the products bearing the brand at all? Well, I intend to get several of these out, as promotional products, to my close friends and family. The brand will include the shop's URL, and that's pretty self explanatory, I believe.

Y'all carry on now. That's all I had for that one.

JR, out!

JR DAVILA

The first design task that I undertook (the logical choice, I think) was that of my "brand" (click on the image for a larger sample).

Being the detail obsessive individual that I am, I first spent about 3 months obsessing on the design orientation itself and on the name. For the name I had a few ideas floating around in my head and couldn't really make up my mind. Was the brand itself going to be "TaranTulas", or would tarantulas be one of the themes? Then I thought, "Y'know, my name is probably what I should be concerned with 'getting out there' right now." Once I had my mind made up on that, the arachnid design and the font orientation was something that I also fought with for a while. I came up with all sort of "wild" ideas, but in the end I just scrapped them all and went with the most simplistic one. Font from left to right and the arachnid on top. Simplicity is...well, it just "is". It works.

Next was the font face itself. I took typography and learned a few things, but I still felt like I didn't know enough about "font choice". After becoming a little frustrated with my perceived lack of knowledge on "appropriate" font choice, I brought it up to a buddy of mines, Jeremy Moses (you probably think I love name-dropping by now, huh?). He's a graphic designer, and has a lot more experience and education on the subject than I, an animation student, would. His advice actually caught me by surprise. It was something along the lines of "look around and pick whatever you like". I felt a little silly after that. I mean, all of that time I spent fighting with it, and it was just up to me? I thought there were some rules, guidelines, hierarchies, or something that one would follow when choosing a font for a design. I'll blame APA Style for putting the idea in my head that the font you use, beyond it being serif or sans serif, actually matters.

Once I got past that, I went online searching for some big spider reference images. Did I mention I hate spiders? That probably makes no sense, but it's true. The desktop background image on my laptop at the moment is a super close-up of some disgustingly menacing looking spider. Think of it as some sort of...self administered "exposure therapy". Funny that most of my nightmares since have included huge, disgusting spiders. Anyhow, after a cringe inducing google session, I found the image I would use as reference for this initial design. I believe it's a "wolf spider". A kind I've had to smash plenty of in my day. Creep me the Hell out...

So I dropped the image into Illustrator, double clicked the pencil tool and set it to fill outlines (I prefer the pencil tool over the pen tool for more organic subjects) and went to work. I've had to stick to uploading the current design to Spreadshirt as a PNG, since it doesn't fall within their vector parameters. I'm working on finding a different spider to replace it, but in the meantime, that's it. The font is just "Eccentric" with the counters removed and the dimensions warped to my liking. I played around with the idea of having the parts where the font and the spider legs meet turn negative, but it made the design a little busier than I would like, so I kept it as is.

For now, there is only one t-shirt using the logo, and the design is restricted to "digital direct" printing anyhow so it isn't an issue yet. It shouldn't be long until I have a "flex" friendly version ready.

The design was more of a requirement than anything, so I don't feel quite as inspired about it. Maybe one day I will and I'll revamp it however it is I feel, but until then I don't see it changing much. That's all I had for that one, peeps. Carry on!

JR, out!

I Never Thought Generating Art Could Get Me in Such a Good Mood

(How obvious is it that I am an art student that's been overworked with art assignments and hasn't made any art for "fun" in a long time?)

So, here goes my first blog post, but this is not my first time blogging and not my first time blogging in a setting open to the public. I want to start by sharing a little about myself... OK! Moving on. So, for the reading comfort of all (including English professors) I will most definitely be using proper grammar and spelling (as I know it. I've heard I should not use "ellipses" as I do, but this is my little corner and I am NOT backing off). Who knows? Maybe YOU will learn a new word from reading my nonsense updates on life.

That being said, I know about the dangers of "jargon" (I am a war veteran, after all, and I volunteered to go on a deployment without actually knowing what "O.I.F." stood off) so I will either try to keep it to a minimum, or I will try to render my definition for the word in question if I cannot avoid using it (and if I don't and you do not understand the word, PLEASE call me out).

(You ever write a whole BUNCH of stuff and then just backspace through it all? That just happened twice. Let's keep this short...)

So, about the purpose of this blog page. A while ago an instructor at my school, Mr. Liebman, who teaches the "Survey of media and design" course, got me to think a little harder about what the hell it is that I want to do with my education. The theme of the class was that we shouldn't limit ourselves to only doing work in the field that our majors specify. I doesn't matter if you're an animation, graphic design or game art student. In reality, we are all "illustrators", and can do whatever the hell we want with what we're learning. One idea he gave us was getting our names out there, and custom t-shirt sites was one of the routes that he went over briefly. As I was listening to this, my imagination just exploded and I have since not been able to find the time to put all of these ideas down on paper. It's obvious that I immediately fell in love with the idea by the amount of stuff I have spilling out of my mind still. The thought of wearing my own art is incentive enough...

This blog's purpose is to serve as my shop's propaganda spewing mouthpiece a design and idea journal for the designs found in my shop. Some of these designs have (wacky, interesting) stories behind them that I simply cannot fit into the product description. Y'know, in case I pick up any fans of my designs.

The title of the blog has to do with a design that I completed yesterday. It's the second design I have produced, but it's actually the first idea that came crashing into my head. I will give it it's own post later. For now, I conclude this post.

JR, out!